I imagine the voices of angels singing precisely like this. Their voices expand and fill multiverses, lifeless and alive, alike. Their beauty is uncanny and every note encircles worlds upon worlds. As long as I surprise myself with unknown communicants, I continue. Angels, you have given me life for a night of beauty and mystery. Angels, we have given you our love, the terrible love of all things alive, as well.
STEP 1: Borrow a barricade
STEP 2: Tip it over
STEP 3: Attach hardware: 4 pcs 1" black plumbing strap with 3/4" wood spacers bolted to 14" tall wooden 2x6s, plus added safety attachments: 3 tennis balls on the ends, and a 1.25" diam. x 20" dowel for the extra leg)
STEP 4: Add a mattress (long cot mattresses work, as well as prison mattresses, or 29" x 79" foam from Canal Rubber)
STEP 5: Adjust design and email Caroline@ourgoods.org with revisions and modifications.
Part of the Eyebeam Chats series…
Poetics of Computer Language: Beauty, complexity and metaphor in the development of new computer languages. Jonathan Vingiano, Ramsey Nasser and Brian House in conversation with Caroline Woolard.
Jonathan Vingiano and Ramsey Nasser are both creating engaging, intuitive and poetic computer programming languages, focusing on the aesthetics of user interface and code. Brian House is a composer and programmer who is intensely interested in the difference between ‘scores’ and ‘code’ in computer music.
The Rhythmanalysis Lab is concerned with the observation, representation, and interpretation of rhythms in everyday life. Inspired by the work of Henri Lefebvre, it is a framework for projects, workshops, and investigations at the intersection of urban research, sound, and data science.
Will the (future) rhythmanalyst ... set up and direct a lab where one compares documents: graphs, frequencies and various curves? ... Just as he borrows and receives from his whole body and all his senses, so he receives data from all the sciences: psychology, sociology, ethnology, biology; and even physics and mathematics ... He will come to 'listen' to a house, a street, a town, as an audience listens to a symphony.
- Henri Lefebvre, "The Rhythmanalyst: A Previsionary Portrait" in Rhythmanalysis: Space, Time and Everyday life. New York City: Continuum, 2004. Pg. 22.