Create your own instruments and sounds with basic electronics. Then perform live! The ten members of Theremidi Orchestra (TO) will guide and assist participants during a five-day, hands-on and theoretical workshop. Participants will assemble two electronic sound devices and learn how to play them in noisy group improvisations.
The workshop will also provide a framework for aesthetic discussion, from how to improvise and work in a group and understanding the sound ranges of the instruments, to implications of collective feedback loops and concepts of social amplification. Then work collaboratively to develop the live performance. Daniel Neumann, curator of CT-SWaM, will assist in developing ideas for spatialization of the multi-channel performance.
The Alices (Walking): A Sculptural Opera and Fashion Show
Eyebeam in Collaboration with Moving Image Art Fair
A piece by Claudia Hart and composer Edmund Campion
8 March 2014, 6:00 - 7:00 PM
The School of the Art Institute of Chicago
The Center for New Music and Audio Technology, University of California, Berkeley
KOREA SOJU HWAYO, INC.
Introducing Alice’s Website Dresses a collection of 5 sculptural wearables featuring a custom augmented-reality application by Geoffrey Alan Rhodes with poetic text animations by Claudia Hart evolved from Lewis Carroll’s original Alice in Wonderland by using special Spinabook software designed by Alon Zouartez (http://spinabook.com/).
Forty-eight to Sixteen documents my daily commute from Brooklyn to midtown Manhattan with sensors for my heartrate, breathing, and the cadence of my pedaling, along with chest-mounted video. Cellist Topu Lyo interprets my experience via a composition I derived from the sources that is precisely timed with the video. I am interested in 'performing' data and my and Topu's divergent but equally physical relationship to the information. Additionally, the physiological basis of empathy has implications for recent trends in media culture toward first-person viewpoints and the integration of biometrics into documentary. (Named after the gear ratio of my bike.)
On April 21st, Eyebeam's main exhibition space will be transformed into a small village dedicated to creative sound research. Using resources as diverse as atmospheric sensors, ping-pong balls, string instruments, reverberant plates, magnetized wires, cell phones, data hubs, and laughter, participants from Eyebeam's sound research group will convene to run experiments, share original research, develop work in progress, and explore collaborative strategies.Interaction, encounter, and juxtaposition will be emphasized over sound isolation—the idea being that sound is transparent enough to permit a human ecology that transcends the singular focus of the concert format.From 3PM-7PM the public will be invited to witness the results. The day will culminate in a public discussion at 7PM.