As if streets didn't have enough pandemonium, Japanese designer Yuri Suzuki has created a White Noise Machine. He put it in a street in Delhi, India, and this is what happened.

IIE is an interactive acoustic installation through which Reinhard Gupfinger researches infrasounds, that is, those sounds that, having a frequency less than 20/16 Hertz (20/16 cycles per second), are below the audible threshold of the human ear. While the ear is insensitive to those sounds, the human body can nevertheless perceive
them as vibrations. It is this possibility that the Austrian artist explores in this work, raising awareness of this relatively unknown curiosity. In fact, infrasounds are extremely common in nature, since they are emitted by atmospheric phenomena, such as thunder and wind, and by some animals (whales, elephants, etc.), which use them to communicate over distances.

Jörg M. Colberg, an accomplished astrophysicist and photographer, created a series of images entitled "American Pixels" in which he applied a self-made compression algorithm to photographs, turning them into artworks of the digital age.

But Colberg's works aren't just commentaries on the state of images in an age of lossy file types. He designed his own compression algorithm that responds uniquely to the contents of each photograph.

For Colberg, the compression becomes part of the creative progress. He explains:

A computer that creates a jpeg does not know anything about the contents of the image: It does what it is told, in a uniform manner across the image.