art

Yesterday, Victoria Scott, my collaborator on the Gift Horse — a 13-foot high sculpture of the Trojan Horse — managed the installation of the giant sculpture for ArtMRKT San Francisco, from May 19th-May 22nd. Who wasn’t there? That’s right, me — I was busy installing my “2049″ exhibition at The Dump — and am so thankful that Victoria was able to run this one out.

 
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Carolina Vales (b1982) lives and works in Mexico City.  A graduate in  Architecture from the Universidad Iberoamericana in 2007, Mexico City, she has participated on urban projects for the Venice Bienal, the Sao Paulo Bienal and a Holcims Awards Foundation competition and worked with De Yturbe Arquitectos for urban design projects. She is currently living in New York where she is working with Nick Hornby on a series of new sculptures and architectural pavilions considering the intersection of art and design: sculpture, furniture, interior and urban design.

 

Eyebeam CV
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I’m excited to be in Made Real — a two-person show with Nathaniel Stern in London at Furtherfield Gallery

I will be featuring my 2010 Turbulence-commissioned Playing Duchamp along with Wikipedia Art (in collaboration with Nathaniel Stern). Also, I want to acknowledge the other Wikipedia Art collaborators: Patrick Lichty, Jon Coffelt and Brian Sherwin, who made Wikipedia Art such a success.

 

Are you interested in being an emissary from the future?
2049_red_full_res

For my upcoming “2049″ show at the Dump in San Francisco, one of the artworks that will be featured will be a phone booth where you can talk to someone from the year 2049. People can pick up the phone (it will be set up as a live line) and talk to an ambassador-from-the-future, who will answer questions about what life is like in the year 2049.

 

As a part of our (Galia Offri & mine) involvement in this year’s Transmediale Festival in Berlin we participated in a panel discussion titled “Lost in The Open”. The focus of the discussion which I moderated was to hash out some of the challenges for Free Culture beyond its epic battles against centralized institutions, record companies, major film studios, copyright regimes…

I am including here the videos for the full panel beginning with introductions by the 5 panelists and continuing with the full discussion and audience Q&A.

“We prepare every year the biggest Free Culture show ever” (Simona Levy)

 

I just finally updated my personal site, joncohrs.com Its really nothing more then a list of links, but for once you can see my projects, and mastering work I do, a long with other things

 
People: Jon Cohrs
Tags: art

Last week, I began a 4-month residency at Recology San Francisco (a.k.a. The Dump) where I make art solely from the refuse that people drop off in their cars and trucks. I am treating this residency as a performance.

I am playing the role of a prospector from the future who mines the garbage heaps of a past civilization to build technologies to survive. Trawling through construction debris, discarded electronics and the scraps of people’s lives, I am making blueprints and building imaginary devices such as a food synthesizer and an infinite battery.

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Test format for printed book:
Polymethyl methacrylate (PMMA) | dentures
Polymethyl methacrylate (PMMA) | dentures

 

In preparation for my upcoming residency at Recology San Francisco (a.k.a. The Dump), I have been consuming books and films about garbage management. Elizabeth Royte’s Garbage Land: On the Secret Trail of Trash is a perfect entry point for those that want to venture beyond compost culture and delve into the real story behind where human waste goes after exiting the home.
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