new york


Day 4: Thur., July 16, 2009Curating in the public domainCurating is often a private activity with a very public outcome, but recent hype about the term in relation to “filtering” online content (from videos and photos to tweets and urls) have made “curating” something people now think of as a very public process. What can we learn from public art models of curatorial practice? How do we cater for passerby audiences? What are the lessons to be learned from open submission projects online and offline? The ideal conditions for creating a platform for participation were dreamt up.Guest: Steve Dietz (Curator).Eyebeam respondent: Amanda McDonald Crowely (Eyebeam, Exectutive Director), Taeyoon Choi (Eyebeam Alumni Resident Artist) Videography: Rus Garofalo

 
Projects: CRUMB, Summer School: Curatorial Masterclass
Tags: art, Summer School: Curatorial Masterclass, curatorial masterclass, curating, new york, eyebeam, open source, crumb, Videos


Day 2: Thur., July 9, 2009Publication and DocumentationAs part of Fair Use Day, we considered some of the practical and legal issues concerning reproduction, particularly as it applies to issues of curating participatory and time-based art forms or art which takes place in the public domain. Can publishing be a documentation strategy for creating and curating ephemeral work, or work that is based on conversations or actions? What happens when the art and its documentation are the same thing, as in the case of maps? Release strategies used by curators working with emergent new media forms was rigorously compared.Guests: Lize Mogel (Artist/Curator).Eyebeam respondant: Rebecca Cittadini (Communications and Marketing Manager, Eyebeam).Videography: Rus Garofalo

 
Projects: CRUMB, Summer School: Curatorial Masterclass
Tags: art, eyebeam, new york, curatorial masterclass, curating, open source, Summer School: Curatorial Masterclass, crumb, Videos


Day 1: Tues., July 7, 3–5PMWhat open source is and what it means for artHow do practices prevalent in the open source community match up against curatorial paradigms in the visual arts? What is the difference between curatorial openness, working in the public domain or releasing work under a public license? How can we learn about curating and commissioning via platforms which engage audiences or encourage participation? Defining useful metaphors and discarding hyperbolic buzzwords was encouraged.Guests: Curator, Scott Burnham (Creative Director, Montreal Biennial 2009); Dominic Smith (co-founder, Polytechnic, UK).Eyebeam respondant: Fred Benenson (Research Associate, Eyebeam; Product Manager, Creative Commons). Videography: Rus Garofalo

 
Projects: CRUMB, Summer School: Curatorial Masterclass
Tags: art, eyebeam, new york, open source, curating, curatorial masterclass, Summer School: Curatorial Masterclass, crumb, Videos
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In 1999, Dan Torop dreamt that he was drifting over the Bowery at sunset. The street was covered by a red fog laced with yellow-orange fumes. Cars wove heedlessly between lanes yet never collided. He spun and circled through the air above, watching the silent passage below. When he awoke on the couch in his studio, a few streets east of the Bowery, he resolved to replicate the vision.  His vision culminated in a computer program which simulated the Bowery circa 1997.

Project Created: 
May 2008
 
People: Dan Torop
Project Type: Software, Video
Tags: swans, new york, Lisp, Bowery, 1997
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