The New Romantics is an exhibition exploring the ways in which contemporary artists using digital media engage the body, representations of nature, poetic irony, and expressions of individuality as originally expressed in 19th Century Romanticism. By drawing equivalences between then and now, this exhibition identifies a critical precedent for artists today that are responding to their ever changing technological environment. Just as the Romantics responded to the industrial revolution, this group of artists are similarly responding to the current information revolution.
People: Alex M. Lee, Alexandra Gorczynski, Brenna Murphy, Brookhart Jonquil, Claudia Hart, Jaakko Pallasvuo, Jasper Spicero, Jeremiah Johnson, Jon Rafman, Jonathan Monaghan, Kate Steciw, Katie Torn, Krist Wood, Mark Beasley, Michael Mallis, Mikey McParlane, Nicholas O'Brien, Nicolas Sassoon, Ryan Whittier Hale, Sara Ludy, Shane Mecklenburger, Sophie Kahn, Tim Berresheim Tags: art, performance, romanticism
In this week-long multi-session workshop, sound artists and composers will develop individual (or collaborative) spatial sound compositions. Participants will perform their works in a public performance for the ongoing event series CT-SWaM (Contemporary Temporary - Sound Works and Music) at Eyebeam.
For most artists who are working with sound, it is still very challenging to gain access to a proper space and a larger number of powerful and balanced loudspeakers in order to properly experiment and to develop ideas. The Spatial Sound Composition workshop will therefore provide the technical infrastructure and also an environment for discussion, contextual placements and an insight into the theory and history of this specific field.
Artist, composer, technologist and Eyebeam Honorary Resident, André Vida's interactive installation Score and Seek, projects animated musical notations that respond to the performers as they move and perform in the space. Over the course of the previous two weeks, the artist invited musicians to drop-in to test and refine his installation. Vida along with musicians Brett Sroka, Yuko Pepe, Jackson Moore and others for a closing performance and reception.
Doors open at 6:30PM. Performances will begin at 7:00PM and will be followed by a reception.
Score and Seek is supported by Cycling '74 and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and New York City Department of Cultural Affairs.
pplkpr is an app that tracks, analyzes, and auto-manages your relationships. Using a smartwatch, pplkpr monitors your physical and emotional response to the people around you, and optimizes your social life accordingly.
pplkpr uses GPS and a heart rate wristband to keep track of when you're coming and going, and when you're feeling emotional. pplkpr implements a complex metric called "heart rate variability" that uses subtle changes in heart rhythm to determine your emotional state. This data is correlated with the people you interact with to determine who should be auto-scheduled into your life and who should be removed.
Forty-eight to Sixteen documents my daily commute from Brooklyn to midtown Manhattan with sensors for my heartrate, breathing, and the cadence of my pedaling, along with chest-mounted video. Cellist Topu Lyo interprets my experience via a composition I derived from the sources that is precisely timed with the video. I am interested in 'performing' data and my and Topu's divergent but equally physical relationship to the information. Additionally, the physiological basis of empathy has implications for recent trends in media culture toward first-person viewpoints and the integration of biometrics into documentary. (Named after the gear ratio of my bike.)