performance

Last Thursday, I exhibited After Thought, a performance-installation that I developed while at Eyebeam Art + Technology Center at Art in Odd Places in New York (check out their AIOP website, there’s some great projects there).

As the name implies, these performances that happen in unusual spots in the city, this one being at the 14th Street Y.

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MeanRed joins forces with Eyebeam to curate an epic audiovisual art party w/ Extreme Animals & DâM-FunK!

 

"It’s as if you had swallowed some science-fiction pill that laid bare the arithmetical formulas underlying everyday perception."

 

Today we shifted to the virus-making portion of Gift Horse, where anyone can assemble a virus sculpture to be placed inside the belly of the Trojan Horse. The gesture is to gather people in real space, give them a way to hand-construct their “artwork” and to hide hundeds of the mini-sculptures inside the horse.

The first virus to go inside, the Rat of the Chinese zodiac, was The Andromeda Strain, an imaginary virus from the film. This father-daughter team cut, folded and glued the paper sculpture together and she did the honors of secreting it inside the armature.

 

August 19th @ Benrimon Contemporary, part of Younger Than Moses: Idle Worship
514 West 24th Street on the 2nd floor
An evening of performances & screenings by Ryan V. Brennan, the Wikipedia Art Project, Genevieve White, Adam & Ron. Beginning 6:00 PM (come a little early for a Wikipedia Art Remix treat!)

 

We just launched the Kickstarter campaign for Gift Horse – a project for the 01SJ Biennial co-commissioned by the San Jose Museum of Art and ZERO1. We are seeking extra funding specifically to construct the sculpture from sustainable materials and also to teach several “build your own virus” workshops. Gift Horse is celebration of the viral nature of art and ideas.

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Joanna Spitzner is an artist whose recent work seeks to make direct connections between everyday experiences and larger social issues. It often takes the form of experimental organizations as artworks, including The Art School in the Art School, The Joanna Spitzner Foundation, Inc., The Union of Undercover Artists, CoAct, and the Urban Art Rangers. The forms her work takes are temporal; employing performances, exchanges, discussions, video, audio, and documentation. She has been has involved in several collaborative projects with artists in the UK, including Exit Review in Liverpool, UK; Exit Cork in Ireland; Press Corps at Static Gallery in Liverpool, UK; Prime: Part-Time; and Hen Weekend. She works with the Red House Arts Center in Syracuse as director of programming for Red House Art Radio, and internet radio station that produces and presents experimental audio, interviews, and independent music.

Eyebeam CV
2008FExhibiting Artist
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Marisa Olson's work combines performance, video, drawing & installation to address the cultural history of technology, the politics of participation in pop culture & the aesthetics of failure.

Her work has recently been presented by the Whitney Museum of American Art, Centre Pompidou-Paris, New Museum of Contemporary Art, 52nd International Biennale di Venezia, National Museum of Contemporary Art (Athens, Greece), Edith Russ-Haus fur Medienkunst, Nederlands Instituut voor Mediakunst/ Montevideo, the British Film Institute, the Berkeley Art Museum/Pacific Film Archive, the Sundance Film Festival, and elsewhere.

 

Eyebeam CV
2009FExhibiting Artist
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I just finished writing the software which tracks your emotions using brainwave analysis. From a flashcard-style test, it creates a custom video for each participant from a melange of silent clips such as balloons floating in the sky, a tapping foot and an angry dog. This weekend Flux Factory along with The Metric System will be presenting The Science Fair, (New York), where I will showing After Thought, which I developed as a resident artist at Eyebeam Art + Technology Center.

 
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