Julia Reodica currently resides in the United States. She is an art/science educator, a practicing artist, and a Registered Nurse in the critical care setting. Her on-going work includes traditional art practices and the use of laboratory tools or biotechnology. The art work is intended to express social commentary and encourage public inquiry. Living art work addresses issues of sustained life in novel environments. Science-related work based on utilizing living systems for exhibition was developed through work in art/science museums and institutions in the U.S. and internationally. In various publications and symposiums, her views on innovative mammalian tissue sculpting and the social impact of scientific research have raised new ethical and aesthetic questions about the new "body" of art.
It might sound far-fetched, but so does smashing protons together at light speed to recreate the conditions of the start of the universe. According to the Times, two physicists posit that the reason that the Large Hadron Collider (and, previously, its unbuilt American counterpart) keeps running into problems isn't bad luck or shoddy workmanship. It's that the LHC's quest to discover the Higgs boson—a heretofore only theorized particle that scientists believe is what gives objects mass—is creating…
In 1966, a Bell Laboratories physicist brought a group of avant-garde artists together with 10 open-minded members of the science and technology fields for 9 Evenings: Theatre and Engineering, a series of investigatory Happenings which took place at the 69th Regiment Armory and were duly noted by critics Lucy Lippard and Brian O’Doherty. The resulting seminal performances included John Cage’s Variations VII, in which 30 photocells were mounted around the performance space, activating a variety of sound sources--including a blender, 20 radio channels and two Geiger counters--as the performers moved around. Other contributors included Lucinda Childs, Alex Hay, Deborah Hay, Oyvind Fahlstrom, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman. The events were photographed by Peter Moore, whose pictures, many never before been published, are featured here.
Join Dr. Steven Kurtz, the artist accused by the US Department of Justice of “bioterrorism” stemming from his use of scientific materials in his award-winning art practice, and science writer Carl Zimmer for a panel discussion on the ethics of scientific and creative research and freedom of speech.
Workshop participants learned the fundamentals of animal anatomy, dissection and culturing that are used to investigate specimens. The workshop was held in an open forum setting with orientation to the history of artistic practice in the scientific field. It was part of the Eyebeam Digital Day Camp Series for 2006. At the conclusion of each week of DDC, the projects from the classes were displayed in a 'growing' 3-week long exhibition alongside work from the artists teaching the DDC workshops.