sound

Start Date: 
29 Apr 2013
Hours: 
10:00PM-12:00AM
Cost: 
$10 Suggested Donation
Venue: 
Eyebeam
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Join us for CT-SWaM's ONE year anniversary!
$10 suggested donation 

Peter Fonda: DJ SET

Tamara Yadao: IMPROVISATION with 10-15 radios, 6-10 performers and 3-4 transmitters. Performer names TBA.

 

Part of the Eyebeam Chats series…

Poetics of Computer Language: Beauty, complexity and metaphor in the development of new computer languages. Jonathan Vingiano, Ramsey Nasser and Brian House in conversation with Caroline Woolard.

Jonathan Vingiano and Ramsey Nasser are both creating engaging, intuitive and poetic computer programming languages, focusing on the aesthetics of user interface and code. Brian House is a composer and programmer who is intensely interested in the difference between ‘scores’ and ‘code’ in computer music.

 
People: Brian House
Research: Sound
Tags: sound, code, eyebeam, speaking
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Cyclograph of activity in Mary Mattingly's Flock House

The Rhythmanalysis Lab is concerned with the observation, representation, and interpretation of rhythms in everyday life. Inspired by the work of Henri Lefebvre, it is a framework for projects, workshops, and investigations at the intersection of urban research, sound, and data science.


Will the (future) rhythmanalyst ... set up and direct a lab where one compares documents: graphs, frequencies and various curves? ... Just as he borrows and receives from his whole body and all his senses, so he receives data from all the sciences: psychology, sociology, ethnology, biology; and even physics and mathematics ... He will come to 'listen' to a house, a street, a town, as an audience listens to a symphony.

- Henri Lefebvre, "The Rhythmanalyst: A Previsionary Portrait" in Rhythmanalysis: Space, Time and Everyday life. New York City: Continuum, 2004. Pg. 22.

Project Created: 
April 2012
 
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Quotidian Record

Quotidian Record is a limited edition LP that features a continuous year of personal location-tracking data recorded by Brian House. In compressing 365 days to 365 rotations and mapping habitual places to harmonic relationships, he hopes to prompt our musical perception when we consider our daily travels.

Project Created: 
June 2012
 
Hours: 
Monday, January 21, 9:15PM-1AM
Cost: 
Free
Venue: 
Eyebeam
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CT-SWaM: Contemporary Temporary - Sound Works and Music
Presented as part of the Eyebeam Annual Showcase 

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January 21 2013
9:15pm

 
People: Daniel Neumann
Research: Sound
Tags: sound, sound art
Start Date: 
21 Apr 2012
Hours: 
3PM-7PM open exhibit, 7PM-9PM panel
Cost: 
Free
Venue: 
Eyebeam
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On April 21st, Eyebeam's main exhibition space will be transformed into a small village dedicated to creative sound research. Using resources as diverse as atmospheric sensors, ping-pong balls, string instruments, reverberant plates, magnetized wires, cell phones, data hubs, and laughter, participants from Eyebeam's sound research group will convene to run experiments, share original research, develop work in progress, and explore collaborative strategies.

Interaction, encounter, and juxtaposition will be emphasized over sound isolation—the idea being that sound is transparent enough to permit a human ecology that transcends the singular focus of the concert format.

From 3PM-7PM the public will be invited to witness the results. The day will culminate in a public discussion at 7PM.

 
People: Alan Sondheim, Azure Carter, Ben Houge, Bernhard Garnicnig, Brian House, Chris Diasparra, Christine Sun-Kim, David Reeder, Jackson Moore, Keiko Uenishi, Kyle Kessler, Mary Mattingly, Mike Clemow, Roddy Schrock, Seth Dellinger, Yo Park
Research: Sound
Tags: critical mass, ecology, sound, sound art, sound ecology, sound research

tomorrow will be my last post, yes? as the residency has ended, and this is denouement. so oud for your enjoyment. I'll give out URLs tomorrow for continuation of everything elsewhere. thanks for everything, Eyebeam!!!

 

 
People: Alan Sondheim
Research: Sound
Tags: sound, oud, pain, death
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