sound art

Start Date: 
23 Feb 2006
Hours: 
7:00pm
Cost: 
Free
Venue: 
Eyebeam
Thumbnail

Upgrade! NY
February 2006

Cynthia and Paul conversed about the joys and pains of collaboration between a visual artist and a composer in a work that required a complex meshing of skills and concepts.

Cynthia Beth Rubin and Bob Gluck discussed their conception and construction of Layered Histories. They also described their respective previous works incorporating themes of Jewish cultural heritage, and explored how their ideas about the underpinnings of culture informed this collaboration, as well as the 1998 animation Inherited Memories, by Rubin, with music by Gluck (to be shown at the upcoming LA Jewish Film Festival).

 
People: Cynthia Beth Rubin, Bob Gluck
Tags: Upgrade!, sound art, interactive, cultural heritage, collaboration, animation
Start Date: 
29 Jun 2006
Hours: 
7:00pm
Cost: 
Free
Venue: 
Eyebeam

Upgrade! NY
June 2006

This month’s meeting examined participatory performance and interactivity in the context of contemporary sound art and new music.

The evening brought together three artists working with sound and music: Jesse Pearlman KarlsbergMicah Silver, and Judy Dunaway. Each of these artists draws their audience into the creation of their work.

 
People: Micah Silver, Judy Dunaway, Jesse Pearlman Karlsberg
Tags: Upgrade!, sound art, performance, interactive
Book Details
Format: 
Paperback, 472 pages
Publication Date: 
October 2001
ISBN: 
9780262611725
Category: 
Theory/Criticism
In Stock: 
yes
Order: 
bookstore@eyebeam.org

This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.

 
Book Details
Format: 
Paperback, 466 pages
Publication Date: 
July 1994
ISBN: 
978-0262611046
Category: 
Monograph
In Stock: 
yes
Order: 
bookstore@eyebeam.org

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both original essays and several newly translated documents, this book provides a close audition to some of the most telling and soundful moments in the "deaf century," conceived and performed by such artists as Raymond Roussel, Antonin Artaud, Marcel Duchamp, Andre Breton, John Cage, Hugo Ball, Kurt Weill, and William Burroughs.

 

 
Thumbnail

Christian Marclay is a New York based visual artist and composer whose innovative work explores the juxtaposition between sound recording, photography, video and film. Born in California and raised in Geneva (Switzerland), he studied sculpture at the Massachusetts College of Art in Boston and at Cooper Union in New York. As performer and sound artist Christian Marclay has been experimenting, composing and performing with phonograph records and turntables since 1979 to create his unique "theater of found sound." Marclay has collaborated with musicians such as John Zorn, Elliott Sharp, Fred Frith, Zeena Parkins, Shelley Hirsh, Christian Wolff, Butch Morris, Otomo Yoshihide, Arto Lindsay, and Sonic Youth among many others.

 
Syndicate content