Fred Szymanski is a sound and image artist who lives and works in New York City. His works have also been performed at many festivals including SonicLIGHT 2003 (Amsterdam) and the 2000 ICMC (Berlin). Group shows that have featured his sound and image work include the Abstraction Now exhibition (Vienna) and BitStreams at the Whitney Museum of American Art. He has composed audio works for CD with releases by Asphodel Recordings, JDK Productions, and Soleilmoon Staalplaat. His piece FLUME was part of "An Anthology of Noise and Electronic Music from 1952 to 2004" (Sub Rosa (Belgium)). His Cd NOZZLE was released by Asphodel in January 2004. The multimedia piece FLEXORS was selected at the 34th IMEB (Bourges, France). FRICTION STICKY ROUGH, an installation for multiple image projection and loudspeakers, was premiered at the Diapason Gallery (New York) and included in the show "What Sound Does a Color Make?" at the Eyebeam Center for Art and Technology (New York) in 2005.

Recognized internationally as one of the most important artists of his generation, Hill has been working with video and sound since 1973. His intermedia use of text, speech and image explore the physicality of language and our thought processes. Hill creates complex installations which often solicit the viewer's active involvement to the point of "completing" the work. 

Gary Hill has been the recipient of numerous awards and honors, most notably the prestigious Leone díOro Prize for Sculpture at the Venice Biennale in 1995 and the John D. and Catherine T. MacArthur Foundation "Genius" Grant in 1998. His work has been included in six Whitney Biennial exhibitions since 1983 and in Documenta IX where one of his most ambitious works, Tall Ships, was premiered.  His video, sound and performance work has been presented at museums and institutions throughout the world. 

Peter Sinclair is a well known sound artist living in Marseille, France.   He is known for his installations and other cross-disciplinary works which using sound as their principal medium.  Excited by technology but handling it with critical irony, his work has moved from burlesque mechanics, through the misuse of computers to performance that parodies modern media language in transatlantic streamed collaborations.

Aside form his personal artistic productions Peter Sinclair participates in various collectives such as "PacJap" and "Daisy Chain" and he has been working with New York based artist G.H. Hovagimyan since 1996.  Their collaborative works, which include Exercises in Talking, a Soapopera for Laptops, Heartbreak Hotel, Shooter and Rant/Ran Back/Back Rant have been shown frequently in Europe and the United States.

Atau Tanaka bridges the fields of media art, experimental music, and research. He worked at IRCAM, was Artistic Ambassador for Apple France, and was researcher at Sony Computer Science Laboratory Paris, and was an Artistic Co-Director of STEIM in Amsterdam. Atau creates sensor-based musical instruments for performance, and is known for his work with biosignal interfaces. He seeks to harness collective musical creativity in mobile environments, seeking out the continued place of the artist in democratized digital forms. His work has been presented at Ars Electronica, SFMOMA, Eyebeam, V2, ICC, and ZKM and has been mentor at NESTA.

"Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. In 1999 he was awarded a studio for six months on the 91st floor of the World Trade Center�s Tower One, where he recorded the cracking noises of the building swaying under the stress of the winds after Hurricane Floyd.

Born in San Juan, Puerto Rico in 1974, composer Michelle Nagai creates site-specific performances, compositions, installations, radio broadcasts, dances and other interactions that address the human state in relationship to its setting. Her work has been presented throughout the US, Canada and Europe with the support of the American Composers Forum, the American Music Center, the Deep Listening Institute, Eyebeam, free103point9, Harvestworks, the Interdisciplinary  Laboratory for Art, Nature and Dance, the Jerome and McKnight Foundations, Meet the Composer, New York State Council on the Arts and Rensselaer Polytechnic Institute. She is a founding member of the American Society for Acoustic Ecology and holds a teaching certificate from the Deep Listening Institute.