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Jenny Marketou is a Greek multidisciplinary artist who has lived and worked in New York City since 1983. She teaches at the Cooper Union School of Art. Her work deals with issues of identity, public space, electronic surveillance, countersurveiilance, body /machine, and agency/ performance . Her videos, photography, public interventions, web projects and video installation works have been shown internationally at the Basel Art Fair ,Switzerland; ZKM Centre for Art and Technology, Karlsruhe, Germany; Zenith Media Lounge, The New Museum of Contemporary Art, New York; and the National Museum of Contemporary Art, in Athens, Greece, among others.

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Founded in 2001, neuroTransmitter is a radio collaborative utilizing analog communication technologies. Working specifically with radio machinations, neuroTransmitter propels signals through urban membranes and cellular formations.To complement their fixed and mobile frequency performances, nT creates radio-sonic installations, produces music, and converts utilitarian objects into radio transmission and receiving devices. neuroTransmitter has created visual works, performed, and broadcasted live on local bandwiths in public spaces and galleries throughout New York City; Columbus, Ohio; Helsinki, Finland; Aarhus, Denmark; and Madrid, Spain. nT is currently a collaborative-in-residence with the research and development program at Eyebeam, NYC.

The group was co-founded by Angel Nevarez and Valerie Tevere, an Assistant Professor of Communications at the College of Staten Island/CUNY whose artistic work explores to the public sphere as a condition and framework for inquiry and discourse. Angel Nevarez is a multimedia artist based in New York City. His artistic practice incorporates critical models and investigations of history, identity, and representation. Nevarez also works collaboratively on micro-radio and sound specific projects. He has exhibited in various venues throughout the United States and is a recent alum of the Whitney Independent Study Program. Valerie Tevere is a multimedia artist whose work explores to the public sphere as a condition and framework for inquiry and discourse. She is an Assistant Professor of Communications at the College of Staten Island/CUNY and lives and works in New York City. She has exhibited and developed projects in Mexico City, the United States, throughout Europe, and in Santiago, Chile.

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Bec Stupak is the founder of Honeygun Labs, an experimental video collective. She is also a part of Assume Vivid Astro Focus which was included in the 2004 Whitney Biennial.

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Mariam Ghani is a Brooklyn-based artist whose work explores, engages with, and occasionally creates points of exchange, with a particular focus on conversations, translations, border zones and political transitions. She has been awarded the NYFA and Soros Fellowships, grants from the Mid-Atlantic Arts Foundation and the Experimental Television Center, and residencies at LMCC, Eyebeam Atelier, Smack Mellon, and the Akademie Schloss Solitude in Stuttgart. Her work in video, installation and photography has been exhibited and screened internationally, including at the Sharjah Biennial, the Liverpool Biennial, the Tate Modern, the National Gallery in DC, the New York Video Festival, the Asia Society, the Danish Film Institute, transmediale and PLAY in Berlin, Smart Project Space, Gemak and the Stadsgalerij Heerlen in the Netherlands, Futura in Prague, Curtacinema in Rio de Janeiro, EMAP in Seoul, d/Art in Sydney, Bodhi Art in Mumbai, and the Bronx, Brooklyn, and Queens Museums. Her public, community-based and interactive projects have been commissioned by Creative Time, Turbulence, artwurl, the Longwood Digital Matrix, CEPA in Buffalo, and the Arab American National Museum in Dearborn for its inaugural exhibition. Her critical writing on disappearance, warm data, and networked archives has been featured in FUSE, Viralnet, Pavilion, the Sarai Reader 05, Samar, Arts and Leisure, and the Journal of Aesthetics and Protest.  Ghani also lectures widely and organizes/moderates exhibitions, workshops, and discussions; Index of the Disappeared, her collaboration with Chitra Ganesh, organized a four-part roundtable series at four different venues in spring 2008. She has a B.A. in Comparative Literature from NYU and an MFA in Photography, Video & Related Media from SVA, and currently teaches at Cooper Union and in NYU's Art & Public Policy program.

During her residency at Eyebeam, Ghani produced the 3-channel interactive video installation Kabul: Constitutions (www.kabul-reconstructions.net/constitutions), which mapped the process of the Afghan constitutional assembly onto the space where it took place.

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Beeoff has been working with video and sound art in real time since 1998. During these years they have explored methods of working with, and presenting, real time audiovisual art in different locations using the internet. They have also started a real time art broadcasting channel, today known as nonTVTVstation.

Current Reblogger: Chloë Bass

Chloë Bass is an artist, curator and community organizer based in Brooklyn. She is the co-lead organizer for Arts in Bushwick (artsinbushwick.org), which produces the ever-sprawling Bushwick Open Studios, BETA Spaces, and performance festival SITE Fest, which she founded. Recent artistic work has been seen at SCOPE Art Fair, CultureFix, the Bushwick Starr Theater, Figment, and The Last Supper Art Festival, as well as in and around the public spaces of New York City. She has guest lectured at Parsons, the Polytechnic University of Puerto Rico, and Brooklyn College. Other moments have found her co-cheffing Umami: People + Food, a 90 person private supper club; growing plants with Boswyck Farms (boswyckfarms.org); and curating with architecture gallery SUPERFRONT (superfront.org). Chloë holds a BA in Theater Studies from Yale University, and an MFA in Performance and Interactive Media Arts (PIMA) from Brooklyn College.

http://chloebass.wordpress.com

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Location: Chicago and Urbana/Champaign
Cost: Free
http://roadshow.eyebeam.org

 

The Eyebeam Road Show continues! This time in Chicago and Urbana/Champaign at Columbia College and the University of Illinois.

Check out the schedule events and participants here: http://roadshow.eyebeam.org/schedule.html

Eyebeam Roadshow Workshops

ERS 101 - Inspiring an Online Workforce

Steve Lambert and Jeff Crouse will talk about their experiences working with strangers on the Internet to accomplish specific tasks. Hands-on activities may include 1) starting a Google Code/Sourceforge project 2) using the online labor market (Mechanical Turk) 3) making friends you never knew you had through online collaboration.

Instructors: Steve Lambert and Jeff Crouse

Facility Requirements: computer lab or BYOLaptop

ERS 102 - Dirt Style

Steve Lambert and Jeff Crouse will teach you to eschew flashy modern design tools in favor of a rougher, simpler aesthetic sensibility known as Dirt Style. Hands-on activities will include 1) making kick-ass animated GIFs; 2) re-learning HTML tags you thought were dead and buried; 3) exploring the myriad uses of explosions in video editing, web design, presentations, and just about anything else you can think of.

Instructors: Jeff Crouse

Facility Requirements: computer lab or BYOLaptop

ERS 103 - Shopdropping

Learn how to reverse shoplift your artwork into stores with Steve Lambert, a former undercover investigator. Plus, how to be a superhero.

Instructors: Steve Lambert

Facility Requirements: computer lab or BYOLaptop

ERS 104 - Lecture: Creating a Self-Organizing Community

Yael Kanarek will discuss the in & outs of developing a community focused on a common interest or goal. As a case study, she will talk about Upgrade! - a network of over 20 nodes nationally and internationally, concerned with culture and technology. She'll review the history of network that started in a 1999 meeting in an East Village to the third international gathering in Skopje, Macedonia. Yael will discuss the challenges of growing a network and maintaining is essential principles. Instructors: Yael Kanarek Facility Requirements: none

ERS 105 - Drawing using analog and digital tools

Think you can't draw because you don't easily create photo-realistic graphite sketches on the first try? Don't worry, in real life drawing isn't a closed-book test. You can use your notes, you can copy from other people, you can use tools, you can even trace! (Gasp!) And Steve Lambert is going to show you how. Based on the Instructable Drawing for Non-Majors – but in person!

Instructor: Steve Lambert

Facility Requirements: BYOLaptop or computer lab with Adobe suite, pencil, paper, lightbox

ERS 106 - Urban Exploration and Prospecting

Learn how to navigate through wild urban spaces, abandoned buildings, and how to get rich off industrial waste and pollution. In the process we'll redefine wilderness, and get your nature on. Led by an alaskan wilderness guide and urban skeptic.

Instructor: Jon Cors

Requirements: nearby metropolitan area

ERS 201 - Clean Style

Learn to quickly make websites that are easy to navigate and well designed. Clean Style is not flashy, and is written in bulletproof search-engine-friendly XHTML/CSS. Part of this workshop will be focused on designing in Illustrator, and part of it will be on using the Google Blueprint CSS framework to quickly code your page. Steve Lambert will teach you how to get your work online quickly and easily using the latest and greatest in online content management systems. We will also discuss the importance of sharing work online and the history of shared knowledge as the basis of our civilization.

Instructor: Michael Mandiberg

Facility Requirements: computer lab or BYOLaptop with Adobe suite

Prerequisites: Some experience with HTML & CSS, Illustrator

ERS 202 - Inspiring an Online Workforce II

Michael Mandiberg will talk about his experience working with programmers found on freelancer websites such as Rent-A-Coder. Maybe you have more project ideas than you can finish. Maybe you want to do a project but don't have programming skills. We will walk you through case studies in how to write up artist projects as functional specifications, and how to follow through and manage a remote programmer. Participants will leave with a functional specification / request for a proposal to be posted online.

Instructor: Michael Mandiberg

Requirements: computer lab or BYOLaptop Prerequisites: participants are encouraged to bring project ideas to the workshop

ERS 203 Technology as Identity

What is the relationship between technology and identity? How do the technologies we employ and consume — technologies of activism, surveillance, sexuality, and sustainability — subconsciously expose us and highlight the contrasts between cultures? Ayah Bdeir will be leading a workshop and discussion about how our identity, ethnicity, and cultural footprint are reflected through our technology. We will be watching some snippets of movies, reading some articles and looking at a survey of contemporary art work dealing with identity.

Instructor: Ayah Bdeir

Requirements: computer lab or BYOLaptop

Prerequisites: none

ERS 301 - Firefox Plugins and Greasemonkey: Switching this for that

Michael Mandiberg and Steve Lambert will teach you how to do things to web pages after they load. For example replacing dollars with barrels of oil (http://oilstandard.org), ads with art (http://add-art.org), or, say, every mention of Eddie Van Halen with a picture of him flying through the air.

Instructor: Michael Mandiberg

Facility Requirements: computer lab or BYOLaptop

Prerequisites: Javascript or other language experience helpful, but not necessary

ERS 302 - Screen Scraping

Data visualization and web mash-up have become important methods of expression in the web-art world. But how do you access the data that you want to mash-up or visualize? In this workshop, students will learn how to work with web APIs such as Flickr, Facebook, and Delicious, as well as a slightly less legitimate method of re-purposing online data called Screen Scraping.

Instructor: Jeff Crouse

Facility Requirements: computer lab or BYOLaptop

ERS 303 - Introduction to OpenFrameworks

OpenFrameworks is a C++ library for creative coding created by Eyebeam R&D fellow, Zachary Lieberman (who, unfortunately, couldn't make it to the show) and Theo Watson. It has been used by artists such as Golan Levin, the Graffiti Research Lab, and Jonathan Harris, and is excellent for everything from sound synthesis to computer vision to 3D to physical computing projects. It has a very active and growing community of users and contributors and is quickly moving towards a 1.0 release. For more information about the library, check out http://www.openframeworks.cc/ and http://www.openframeworks.cc/documentation

Instructor: Jeff Crouse

Requirements: computer lab with either XCode, Visual Studio, or CodeBlocks

Prerequisites: some knowledge of C++, Java, or Processing

ERS 304 - Making something super

How do you create an art piece using technology? What's an arduino, why are infrared sensors used, how do you make something move? Ayah Bdeir will be leading a workshop where we take participant's ideas and develop them from idea to sketch to design to buying parts to reality. We will be looking at projects from wearable computing, interactive art, kinetic sculptures, robotic furniture, and discuss how they were made, and how to learn from them. Participants will then propose ideas for projects, and we will critique them and discussing old and new tools, machines and technologies that will help the participants making their projects happen.

Instructor: Ayah Bdeir

Facility Requirements: workshop area or studio

Prerequisites: participants are encouraged to bring project ideas to the workshop

ERS 305 - Your First iPhone App

The Apple iPhone scooped up 11.6% of the smartphone market since it's introduction - that's 2.3 million US mobile subscribers. In the first 60 days of the App Store, 100 million apps were sold. It would just be ridiculous not to get in on this frighteningly high adoption rate, right? In this workshop, we will learn how to make iPhone apps using MobileFrameworks, an openFrameworks-based starter kit for iPhone. We will learn how to access the accelerometer and draw and animate on the screen. If we are lucky, we will even get a chance to transfer one of our creations to an actual iPhone.

Instructor: Jeff Crouse

Facility Requirements: computer lab with XCode

Prerequisites: some knowledge of C++, Java, or Processing

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Is email a distraction? SelfControl is an OS X application which blocks access to incoming and/or outgoing mail servers and websites for a predetermined period of time. For example, you could block access to your email, facebook, and twitter for 90 minutes, but still have access to the rest of the web. Once started, it can not be undone by the application or by restarting the computer—you must wait for the timer to run out.

Developed at Eyebeam by Charlie Stigler with senior fellow Steve Lambert. Download the code here: http://github.com/slambert/selfcontrol/

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Location: FACT, Liverpool, UK
Cost: Free
http://climateforchange.fact.co.uk/

Continuing our collaboration with the Foundation for Art & Creative Technology (FACT) on their Climate for Change project, Eyebeam senior fellow Jeff Crouse and director of technology Emma Lloyd will be engaging hands-on workshops with Liverpool residents within FACT's Gallery 1. Climate for Change is an exhibition that promotes activism and community collaboration in the midst of environmental and financial crisis.

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Opening Reception: April 17, 6 – 8PM
Location: Eyebeam: 540 W. 21st, NYC
Cost: Free
http://eyebeam.org/events/permanent-state-of-emergency

State of Emergency was the inaugural exhibition of the Window Gallery, Eyebeam's new rotating gallery space programmed by Eyebeam fellows and residents and viewable on West 21st Street. A deliberately provocative projection series organized and co-curated by Sherry Millner and Ernest Larsen, State of Emergency included work by Eyebeam senior fellow Michael Mandiberg, Mary Kelly, Allan Sekula, Walid Raad, Leslie Thornton, Gregory Sholette, Louis Hock, Marty Lucas, Sally Stein, Martha Rosler, Ligorano/Reese, Yvonne Rainer, James T. Hong, and Yin-Ju Chen, as well as Millner and Larsen themselves.

State of Emergency began several years ago as a silent shout-out against the ever-deepening devastation of democracy, a group response to the manufactured “state of emergency” in which we live. This updated version reinterpreted that theme to include caustic responses to the ever-deepening economic collapse.

This inaugural exhibition in the Window Gallery was an initiative of senior fellow Michael Mandiberg, and was on display April 17 - 28, 2009.