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“Democratizing the Internet of Things”
Web Summit, Machine Stage
A Call For a Coup d’État
“The Internet As Material”
“Democratizing the Internet of Things“
World Maker Faire
New York, NY
“Hardware: From Hobby to Revolution” with Mike Senese
New York, NY
Keynote at Women ETC
“The Internet As Material”
Keynote at O’Reilly SOLID
San Francisco, CA
littleBits introduces the Arduino module – Ayah Bdeir
Bay Area Maker Faire
San Mateo, CA
Making in New York
Keynote at CE Week
New York, NY
Aram Bartholl 2015
permanent outdoor installation
material: rock, steel, router, usb-key, thermoelectric generator, fire, software, PDF database
size: 100 x 110 x 90 cm
at Landart Kunstverein Springhornhof Neuenkirchen, Niedersachsen, Germany
commissioned by Center for Digital Cultures, Leuphana University Lüneburg
curated by Andreas Broeckmann, Leuphana Arts Program
inauguration: Sunday, August 30, 2015, 11:00 am at Springhornhof
The boulder from the region Neuenkirchen, Niedersachsen contains a thermoelectric generator which converts heat directly into electricity. Visitors are invited to make a fire next to the boulder to power up the wifi router in the stone which then reveals a large collection of PDF survival guides. The piratebox.cc inspired router which is NOT connected to the Internet offers the users to download the guides and upload any content they like to the stone database . As long as the fire produces enough heat the router will stay switched on. The title Keepalive refers to a technical network condition where two network endpoints send each other ‘empty’ keepalive messages to maintain the connection. https://en.wikipedia.org/wiki/Keepalive To visit the piece please arrange an appointment with Springhornhof.de.
The project “Keepalive” by Aram Bartholl was realised in the context of the research project “Art and Civic Media”, as part of the Innovation Incubator Lüneburg, a large EU project funded by the European Fund for Regional Development and the Germna State of Lower Saxony.
Official Invitation (german)
You are warmly invited to the Keepalive opening on Sunday, 30th of August 2015
11.00 a.m. Meeting point at Kunstverein Springhornhof
Leave for Hartböhn by car (approx. 10 min) or by bicycle (approx. 20 min, rental bikes are available)
Greeting: Prof. Dr. Martin Warnke (Chair of Art Association)
In discussion: Andreas Broeckmann (Leuphana Arts Program) & Aram Bartholl
Food, drinks and data sharing at the campfire
“Keepalive” by Aram Bartholl (*1972 in Bremen) looks just like a normal rock from the outside. There is no sign that the stone, which lies inconspicuously in Lüneburger Heide on the edge of idyllic Hartböhn, contains hundreds of digital books. An internal thermoelectric generator and WiFi router must be activated by a lighting a fire under the rock before an electronic survival guide library can be accessed. Data and text can also be added by smartphone or laptop.
Media artist Aram Bartholl works with paths of knowledge and information communication that work against the developments of the digital age and question our handling of data. In this and other projects, he undermines power structures and control mechanisms in the use of internet services and data transmission, mostly through the introduction of a random, uncontrollable element.
In “Keepalive” the stone itself becomes the data medium. In a very archaic, but at the same time clandestine manner, information can be exchanged only locally — in contrast to networked servers, services and clouds worldwide, this rock is not connected to the internet. You have to get close to nature in the countryside, find the stone and make a fire to activate the data source. Anyone can do it once they have found out the exact location of the stone from either the nearby Kunstverein Springhornhof or another source.
Following the advice in the survival guides prepares you — this is the promise at least — for solo survival in the chaotic world of computer programming as much as for solo survival in the wilderness. “Keepalive” examines what “survival” really means and sounds out our true needs. The work resists the centralising forces of the Internet, raises questions about the democracy of knowledge management and ignites an autonomy backlash.” (Jennifer Bork)
The “Keepalive” project by Aram Bartholl was created in conjunction with the research project “Art and Civic Media” as part of Innovations-Inkubators Lüneburg, a major EU project supported by the European Regional Development Fund and the State of Lower Saxony.
ALUHUT WORKSHOP (tin foil hat workshop)
at Chaos Communication Camp 2015 http://events.ccc.de/camp/2015/wiki/Main_Page
Make your own aluminum hat (much better than tin foil!!) to protect yourself from any waves and all surveillance!! It is very very safe! :)) Just drop by!
DAY 2, Friday 14.8.2015, 14:00 – 18:00 h
C-base village, next to BER.
Calle 22 Project
Bogota 2015, more info at http://calle22.org/
Julius Von Bismarck
Oscar M. Ardila Art Historian
Roberto Uribe Architect
Dr. Kathrin Wildner
at Palais de Tokyo, Paris
24/06/2015 – 13/09/2015
Intervention on the building.
Four Dead Drops are installed in different places of the museum. Visitors are invited to bring a laptop to connect to them.
“From the very beginning, I always encouraged people to leave their art on there. Especially for the MoMA dead drops, I made this blog post like, ‘If you want to be able to claim you had art in the MoMA, you can just go now and put something on there’.” Aram Bartholl
Dead Drops is a participative project started in 2010 by German multi-media artist Aram Bartholl. A dead drop or dead letter box is a term from the field of espionage and designates a method used to transmit information or items at a secret location. This anonymous peer to peer file-sharing network is based on USB keys cemented into a wall or other support in public space. The GPS coordinates of the site are then posted on the Dead Drops website. Each dead drop is installed empty except for a simple text file explaining the project. Users are invited to share documents, pics, digital works, films or whatever suits their fancy. A computer with a USB port is the only thing needed to connect to the not interconnected network. After having installed and referenced the first five dead drops in New York and on the web, Bartholl’s project unexpectedly took off, spreading internationally. As of May 2015, over 1520 Dead Drops had been submitted to deaddrops.com. Aside from its crazy concept, the project tries to rematerialise the dematerialised world of computers. Following the revelations by Edward Snowden, at a time when clouds and the debate on internet censorship and privacy have become hot topics, this project is now more then ever front and center on the political stage.
Born in Germany in 1972, Bartholl focuses on interrelations between the digital world and our physical surroundings. He obtained his degree in architecture from the University of arts in Berlin, where he lives and works. His artistic work has been shown in numerous festivals and exhibitions in museums and galleries. In 2011, five Dead Drops were part of the “Talk to me” exhibition at the MoMA in New York and a new facet of the project saw the day in 2013 with the installation of a DVD Dead Drop at Museum of the Moving Image in New York as well. Palais de Tokyo is the first French institution to welcome Dead Drops.
Cited from “Somewhere between Cyber and Real: An interview with Aram Bartholl”, by Jillian Steinhauer, 2012, http://hyperallergic.com
Links for all four Dead Drops:
Dead Drops au Palais de Tokyo, à Paris
Vernissage public le lundi 22 juin à 21h
Comment exposer au Palais de Tokyo ?
- Apporter vos oeuvres sur votre ordinateur portable lors du vernissage
- Téléchargez-les sur l’une des 5 dead drops placées au Palais de Tokyo
- Dites à tout le monde que vous exposez au Palais de Tokyo
DEAD DROPS at Palais de Tokyo, Paris
Public OPENING, Monday 9:00pm 2015 June 22nd
How to get your art in the Palais de Tokyo
- BRING YOUR ART ON A LAPTOP TO THE GRAND OPENING.
- UPLOAD IT TO ONE OF THE 5 DEAD DROPS IN PALAIS DE TOKYO.
- TELL EVERYONE YOU HAVE ART IN THE PALAIS DE TOKYO.
Haus of electronic Arts – HeK at Liste Art Fair
duration: 16.06.2015 – 21.06.2015
At Liste Art Fair Basel HeK – House of Electronic Arts presents four artistic positions:
Aram Bartholl, Constant Dullaart, Raquel Meyers and Evan Roth under the title PEBKAC IMHO.
“Search the web for ‘iPhone reverse product placement’, and you will find a clip from the first ‘Sex and the City’ movie (2008), in which the character Carrie gets handed an iPhone and shrieks; “I don’t know how to work this’. Shot the year the first Apple smartphone was released, the clip overtly illustrates our current relationship to technology. Carrie was not in the know, did not understand popular technology. Left at the altar, not in control of her life, not able to master new technology. We as the viewer do want to understand how technology works, want control, not be left at the altar, and get an iPhone.
‘Problem Exists Between Keyboard And Chair’, abbreviated to PEBKAC, is an expression used in tech support culture since the mid nineties. A derogatory term for a human error being the reason for the customer to seek assistance. Abbreviated to hide the pedantic position of tech support, creating an even larger social gap between them and the unwitting human sitting on the chair. By now, PEBKAC not only emphasizes that we are no longer bound to keyboards and chairs, but rather that society until now still struggles to define its relationship with networked technology. We might not always be the human error on the chair anymore, but we still have problems engaging with technology. Commercial interest has tempted many corporations to make technology more user friendly, a process in which technological possibilities are often hurdled to improve usability and profit. Now grandparents email, bandwidth is filled with ads, and nobody knows exactly how algorithms analyze our behavior. Perhaps the problem is sittinag on another chair, programming our technological culture to be the capitalist cultural environment it is today. And we should go back to the recent roots to research our relationship with tech. Go poetic, forensic, anthropologic, spiritual, basic. In any case, it will remain PEBKAC- In My Honest Opinion.” (Constant Dullaart)