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fleamarketblog

Starting this week, I will be writing Ham Radio articles for Makezine.com .  My posts beging with coverage of my trip to Dayton’s Hamvention this past weekend.

vintageradios

At the convention I started getting into vintage radios. WA3CEX had a awesome restored 1964 Collins Radio Company Communications Van.  Then I found a Heathkit Twoer in the flea market. Heathkit was one of the first companies to make electronic kits right after WWII. They started with oscilliscopes and later made many kits including radios. Since Heathkits were kits, they eliminated the cost of assembly and were able to sell electronics much cheaper, making them accessible to everyone. The Twoer was part of the Benton Harbor Lunch Box series, cute little portable radios with a handle like lunch boxes. There were four versions the first was for CB, Citizen’s Band which anyone could operate on without a ham license (back in the day when getting a license was more difficult and required knowledge of morse code). Then there was a 10 meter (the Tener), 6 meter (the Sixer) and 2 meter (the Twoer) radio.  The one at the flea market had some damage so I am going to scour the internet and ebay for a better one. All of the Benton Harbor Lunch Box series have the same case, so I am looking for a Tener,  Sixer, or Twoer. I have not yet decided if I will restore the radio or gut it and put a new radio inside. Either way I like to operate from the park and it will be cute to sit in the park with my Benton Harbor Lunch Box radio while I am operating picnic table portable.

Where Lives Come to Die
Video, 3′31
San Francisco, 2009

This piece is based on a poem by Scott V. from Oakland. Scott and I have been friends and collaborators for a long time. I saw him perform this piece live and people were laughing, confused, and depressed all at once. It was amazing. After collaborating on a long-form experimental video, we decided why not keep the momentum going and turn the poem into a video?

All the video was shot in 2005 over 2 nights at the actual coffee shop near Scott’s old work (the story is based on fact). I tried to edit it in the coming days. Days turned into years as I would step away from the edit to gain perspective, but whenever I would return to it, I couldn’t come up with a good edit or sound. Luckily John Davis gave me hours worth of his audio experiments to use in a radio program I made, and I found audio from him that worked perfectly. Later after I moved to New York, Nadia Awad came to Eyebeam as an intern and pulled a rabbit out of her hat on the edit. She’s got the magic touch! More time went by and Liz Filardi added her amazing titles.

The people who worked on this are all very talented and I hope you find our little 3 minute story at least half as sad, funny, and human as I did when I first heard it.

Scott V. from Oakland | text
Steve Lambert & Scott V. from Oakland | visuals
Nadia Awad | editing
John Davis | sound
Liz Filardi | titles

With support from eyebeam.org

Christopher Knight reviewed Everything You Want Right Now! with some notes on The New York Times Special Edition for the LA Times.

Steve Lambert gained considerable notoriety eight days after last November’s elections when he collaborated with a group called the Yes Men in publishing a politically progressive hoax edition of the New York Times, its banner headline declaring “Iraq War Ends.” The debut Los Angeles solo show for the New York-based artist at Charlie James Gallery includes video documentation of that work, as well as well-traveled intersections between art and advertising.

Ben Marks reviews the show at San Jose Institute of Contemporary Arts for KQED Public Media for Northern CA:

Inside, we are greeted by a needlessly large plexiglass donation box by Steve Lambert titled “Steve Lambert Refuses to Participate in the Exhibit.” A legend near the box promises that all the money collected will be divided among the artists in the show because the SJICA didn’t budget any money for artist fees. On the day I attended, a scattering of ones and a few fives sat unimpressively at the bottom of the box, adding irony to the piece’s tongue-in-check rejection of a show about rejection.

Read article in full at KQED’s site

drawing contemporaries

Opening reception: Thurs., May 21, 6PM – 8PM
Eyebeam Center for Art and Technology
540 West 21st St
New York, NY

Drawing Contemporaries, curated by Eyebeam senior fellow Michael Mandiberg, is an exhibition of works on paper made by a peer group of new media artists who all make drawings, either as a primary object, or as an experimental step in their process. The artists often use computers or algorithms as a logic structure or drawing aid in a way that is foregrounded in these works. Many of these artists are Eyebeam affiliated, but all are contemporaries whose influences upon each other can be traced in this exhibition.

Darren Kraft uses powdered graphite to photorealistically reproduce icons and logos associated with consumer and political culture; Eyebeam senior fellow Steve Lambert and Julia Schwadron write personal and poetic messages of hope which they leave taped up in public places; Michael Mandiberg uses the laser cutter to etch and carve works on paper that incorporate text, history and design; Marisa Olson performs Google image searches for obsolete technologies, and traces their contours directly off her laptop screen with a mechanical pencil; and Lee Walton creates elaborate indexes of possible graphic marks which are algorithmically used to document events as they occur. His subjects range from from pedestrian traffic to sports games.

Drawing Contemporaries will remain on view through June 9, 2009

Mandiberg on the Ferry

So I found it. On the top deck. It is the first time I’ve ridden the ferry since it went up. The publicity office at school gave me my own mounted copy… to put up in my office!!???! (yikes)

Michael Mandiberg on the Staten Island Ferry

A nice article about the urban prospector on boing boing.

“Last week our pals at Gizmodo stumbled on an Instructables project for hacking a metal detector with a hydrocarbon sensor. The goal: use it to find oil you can extract and sell for $$$ OR locate underground toxins, so you can try to sue whoever put them there (win win, if you ask me).”

eteam

The eteam (Franziska Lamprecht and Hajoe Moderegger) for Upgrade! New York’s August event.

eteam will discuss the construction of alternate realities via audience participation (intentional or unintentional) within their various projects. In addition, a special guest and a performance/game will set the scene for vibrant dialogue.

http://www.meineigenheim.org/