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I’m starting a residency in mid-february at Eyebeam Atelier in NYC. There, I’m going to be working on a project called OMG, I’m on TV. ( spell out O. M. G. when you say it. It rolls off yr tongue better;)

This is an attempt to create a pirate TV station that will go live and analog TV goes dead on June 12th, 2009. But more importantly is the video content, which will be generated by page scraping the internet based on curated code. Through a web interfaces users will be able to select content to be shown the following day. In an abstract sense, this website will act as media aggregator, where people and submit url’s, feeds, and scripts that will curate content of the station. An example might be a script that gathers all of the most commented videos on youtube with the tag “mowing the lawn”, for the youtube show between 7-8pm or the Sunday night movie that will be selected based on the most torrented film of the week. fun…

I installed some new and in-progress work for studio visits. The test installation helped me figure out how to put the work in the gallery, what goes with what, and what doesn’t, and fine tune those details. This is the first time I’ve made objects in nearly 10 years.

It also allowed me to invite in a number of friends, curators, and gallerists who provided some insightful feedback, asked some interesting questions, and generally started conversations outside of the one going on in my head.

All of these works are produced with the laser cutter. The drawings are BFK Rives paper cut at a very low power setting. The cut books are more complicated in their production; we have to secure the book, and cut through about 60 pages at a time. A video is coming soon.

A full set of images here. Here are a small selection:





February 16th 2009 - Tangible and Embedded Interaction - University of Cambridge - UK

This may be totally obvs to y’all, but i just realized I need to be adding my flickr imgs to *pools*

I added six laser cut images and six bright bike images late last night

here’s an image of how that affected traffic:

MAKE pool results

MAKE pool results

plus it got blogged (again)

anyway, lesson learned. lesson shared.

Digital Foundations In Print

Wanna FLOSS?

We are FLOSSing Digital Foundations next weekend. We need help, and we want to do it *together.* We need people of all levels, from the GIMP guru, to the Ubuntu n00b to test it all.

Digital Foundations uses formal exercises of the Bauhaus to teach design software. It was written for the Adobe Creative Suite, but on Feb 6, 7, 8 we are going to translate it to FLOSS apps with Adam Hyde of For more on the book, and why this translation is so important, see the description below.

We are trying ot get people to register via Facebook

And to sign up on the wiki with their potential role

I hope to see you there. And I hope you can spread the word. By the end of the weekend, we’ll have the first decent primer in FLOSS software!


FLOSSIFY 1 : Digital Foundations

For a long time educational courses have been cheap marketing for proprietary software companies. Can a student really afford all those expensive softwares required by the courses? No. Ever hear of a software company kicking up a fuss because students are using ‘unofficial’ versions? Well, it does happen but not often. And why not? Because proprietary software companies know, as the universities know, that once the students leave their training they will be indoctrinated with those tools and simply slipstream into being paid up proprietary software citizens. Simply put, unlicensed software used in education is tolerated because it is cheap marketing.

This is how tools become ‘industry standards’.

FLOSS Manuals is fighting this flow by converting textbooks that use proprietary software to using free software in their examples.

We call this process “FLOSSify”. We convert the book from closed software to Free Libre Open Source Software (FLOSS) hence we ‘FLOSSify’ the book.

Our first text book is the wonderful Digital Foundations book produced by Michael Mandiberg and xtine burrough ( Its a text book designed to teach software by teaching design. The current toolset it uses is the Adobe Creative Suite and we will convert these examples entirely to using free software.

Not only have the authors given the kind permission to go ahead with this, they originated the idea and approached FLOSS Manuals to be involved. We are very happy to get behind this initiative and work with the authors to create a fantastic text book promoting the use of Free and Open Source Software within design courses.

FLOSSIFY 1 : Digital Foundations will focus on a fun 3 day event at Eyebeam, NYC. Anyone is welcome to attend and some food and beer will be provided. Come and meet some of your old geek friends, make some new, and help make a step towards unshackling education from proprietary

FLOSSIFY 1 : Digital Foundations
Eyebeam, NYC
RSVP here
Feb 6-8
starts 10ish
finishes when we are done
fast connection, a table, some chairs, and beer and food provided
540 W. 21st Street, (between 10th and 11th Avenues)
New York, NY 10011

Tel. 212.937.6580 Fax: 212.937.6582


Oz Etzioni’s Unrecyclable logo won the Eco-Vis Design Challenge last (last?) year. He recently made the image available under a Creative Commons license.

We made a couple hundred of these for the exhibition, and they were gone on the first day. Now you can make your own. if someone gets some printed, send me some c/o Eyebeam!

I had been wondering about this. The NY Government paid for it, so it should theoretically be the property of the so-called people, but they are busy suing other people for using it. Milton Glaser did it pro bono. Oh, copyright…

New York officials show no mercy in their bid to protect the “I ♥ New York” logo. The trademark, supplied free of charge by graphic designer Milton Glaser in 1976, helps beckon 140 million tourists to the Empire State each year. As others tried to tap the design over the years, state legal eagles have filed close to 3,000 trademark objections.

Proposal for the Eyebeam Mixer: Expo

Come Experience The Amazing New Digital Prayer Enhancement Technology!

praying_at_homeInspired by distributed computing projects such as Folding@Home and SETI@Home, Praying@Home is the name given to a suite of technologies developed by The Institute for Faith-Based Technology, or InFaBat™, innovators in the field of technologically-aided spirituality.  The first development is the PrayerRecorder™ - a USB device that plugs into any PC and allows the user to capture her unique Prayer Signature®, an ultra-frequentic resonance that is “broadcasted” by the human body while praying.  The user simply attaches the InFaBat Senso-Cap to her temples and forehead, presses a small InFaBat Prayer Paddle™ between her hands, and prays on a particular subject.  Meanwhile, the PrayerRecorder captures and records the PrayerSignature to the users’ hard drive.  Then, using the InFaBat PrayerBroadcaster™, we can broadcast her Prayer Signature, somewhat like an FM radio station that only God can hear!  Unlike humans, who need to take breaks from praying to fulfill biological needs, computers need no breaks, resulting in 24/7 prayer output.  Additionally, the PrayerBroadcaster unit is equipped with a SPU (Standard Prayer Unit) Amplifier, which increases the strength of your prayers by up to 54%.  These technologies truly represent a revolutionary breakthrough in the field of Digital Prayer Technology.

inside_21Our display at the Expo consists of a small, tastefully decorated booth - 8 feet wide, 6 feet deep, and 8 feet tall, containing a solid white prayer bench facing a white computer screen on a white altar and hundreds of pure white candles: a mix between a confessional and a blood-giving station. An attendant in a white lab coat and a priest’s shirt and collar stands by to help users. Choral music plays from speakers positioned in the far corners of the booth.  Adorning the proscenium of the booth is a large glowing sign that displays the number of Standard Prayer Units (SPUs) that we have collected over the course of the Expo. Our goal for the Eyebeam Mixer Expo is to collect 375,000 SPUs, focused on a variety of urgent problems faced by the world today. Above the SPU meter is a glowing sign with the words “Institute for Faith-Based Technology: Come Experience The Amazing New Digital Prayer Enhancement Technology”.  Atop the booth sits an InFaBat PrayerBroadcaster, which looks a lot like a large set of rabbit ears.  Inside, the both is adorned with religious symbols and imagery.  On the prayer bench is the InFaBat PrayerRecorder with the InFaBat  PrayerPaddle and InFaBat Sens-o-cap.

outside_2Visitors are invited to come into the booth and kneel down on our prayer bench facing the computer screen.  A soothing voice leads the user through the initial setup process, explaining how to put on the InFaBat Senso-Cap and position the InFaBat PrayerPaddle properly.  The voice will explain that in order to get a perfectly pure PrayerSignature, un-Christian thoughts must be kept at bay because they can disturb the prayer recording process. The voice will suggest that the user get all un-Christian thourhgs out of their system before starting the recording process.  The voice will then go through a brief explanation of how the technology works, and instruct the user to start praying. Meanwhile, the InFaBat PrayerRecorder senses and records the peaks and valleys of the users Prayer Signature as they whiz by on the screen on the altar.  If, at any time during the process, an un-Christian thought is sensed, an alarm sounds and red lights flash, and the user must start over.  On average, this happens to 1 out of every 3 users.

Once recorded, the Prayer Signature and a 2-frame animated snapshot of the user are uploaded to our InFaBat Worldwide Prayer Visualizer. The visualizer is displayed in the form of a large projection above the prayer booth. Participants who have contributed their Prayer Signature are represented inside the visualization by a bubble-like avatar featuring their animated snapshot and prayer signature. The avatars float in a sparkling stew of ephemeral prayer-related iconography. As their prayer is digitally replicated in the InFaBat Mainframe, participants will be treated to dazzling animations of the SPU’s emanating from their avatars and then projected into the heavens.

When the user is done, they are given a readout of their Signature, a sticker to tell the world that they contributed their Prayer Signature to a good cause, and a pamphlet will be available that describes the technology behind the system and give users information about how they can purchase the Praying@Home PE system and optimize their prayer output by using unused computing cycles on their home PC.


Jeff Crouse (set decoration, audio production, programming, pamphlet design) creates software and installations that highlight the absurdity of technology in culture.  Jeff’s previous work includes YouThreebe, a YouTube triptych creator; Invisible Threads, a virtual jeans factory in Second Life; and James Chimpton, a robotic monkey that interviewed the artists of the 2008 Whitney Biennial. He is currently developing BoozBot, a bar tending robot/puppet; and DeleteCity, a Wordpress plug-in that finds and republishes content that has been taken down from sites such as Flickr and YouTube. His work has been shown at the Sundance Film Festival, the Futuresonic festival in Manchester, UK, the DC FilmFest, and the Come Out and Play Festival in Amsterdam.

Aaron Meyers (software design/programming) is a designer and programmer using generative strategies in the creation of software and moving image. Since earning his MFA at the USC Interactive Media Division in 2007, Meyers worked in the now-defunct Yahoo Design Innovation Team, taught classes at UCLA Design|Media Arts and continues to work on a variety of interactive projects for diverse clients that have included Digg, Radiohead, and Diller Scofidio + Renfro.


Praying@Home is a parody of Christianity’s attempt to validate itself in the scientific academy, as seen in “scientific” studies about the effectiveness of prayer, creationism, intelligent design, and faith healing.  Our fictitious group - The Institute for Faith-Based Technology - claims to be interested in finding a link between technology and faith, seeming not to notice that their attempts undermine the very idea of faith - namely that it doesn’t care about evidence.  They believe that praying is a purely mechanical task and should be dealt with like any other task that is such a waste of human effort - by mechanizing it.  In so doing, not only do we save time, but we take advantage of the added efficiency, tirelessness, and networkability of computers to multiply the worlds prayer output infinitely, thus solving all of the worlds problems and creating a utopia on Earth.

The Institute will invite visitors to try out their PrayerRecorder and PrayerBroadcaster technology at the Expo in an attempt to get them to buy the home version.  As a marketing scheme, the Institute has announced that they will try to collect 375,000 “Beckells“, or “Standard Prayer Units” (discovered by Fredrick Beckell in the 1970s) during the Expo.  Each user who volunteers to kneel down in the booth and use the PrayerRecorder contributes a varying number of Beckells depending on the purity of their thought and the strength of their unique Prayer Signature.

The Institute also displays a not-so-subtle favoritism towards Christianity, simply assuming that the Christian God is the “correct” god to pray to, while also imposing their on values on the users by warning them against thinking any un-Christian thoughts while operating the PrayerRecorder.  This very dystopic attitude betrays the fact that the illusion of utopia often hides a darker truth.

In society today, criticizing a persons religion is often seen as un-PC at least, and completely taboo at worst.  Religion is given special privileges in most areas of public life, from politics to casual conversation, where other beliefs, like non-religious pacifism, are not protected by the law.  People treat religion as if it is something immutable, like race or sex, rather than as a choice that a person makes for themselves.  Through this parody, we hope to open a debate that is often enthusiastically avoided by forcefully insisting that religion should be open to criticism just like any other belief.


Spring 2009 Lecture Series Carnegie Mellon School of Art.

All lectures are free and open to the public. Carnegie Mellon makes every effort to provide accessible facilities and programs for individuals with disabilities.