animation

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Persistence of Visions of Death

Looping HD video and collage

2010

 

In Progress:

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Project Created: 
06/2010
 
Hours: 
4:00pm-6:00pm
Cost: 
Free
Venue: 
Eyebeam
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Programming Series: 
Youth Drop-In

Free Workshop Schedule: 
Every Thursdsay, 4-6PM
(2009-10 School Year)

October: Animation workshop with artist Abigail Simon
Students will work with Scratch and the Adobe CS to learn how to create basic animations from home computers, and how to design, develop and transform characters. **UPDATE: Abigail has generously offered to lead workshops for not one Thursday, but for the first THREE Thursdays in October! Not to be missed.

 

 
People: Abigail Simon
Research: Education
Tags: animation
Start Date: 
Feb 23, 2006
Hours: 
7:00pm
Cost: 
Free
Venue: 
Eyebeam
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Upgrade! NY
February 2006

Cynthia and Paul conversed about the joys and pains of collaboration between a visual artist and a composer in a work that required a complex meshing of skills and concepts.

Cynthia Beth Rubin and Bob Gluck discussed their conception and construction of Layered Histories. They also described their respective previous works incorporating themes of Jewish cultural heritage, and explored how their ideas about the underpinnings of culture informed this collaboration, as well as the 1998 animation Inherited Memories, by Rubin, with music by Gluck (to be shown at the upcoming LA Jewish Film Festival).

 
People: Cynthia Beth Rubin, Bob Gluck
Tags: Upgrade!, sound art, interactive, cultural heritage, collaboration, animation
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Barney Steel is a member of the British artist collective D-Fuse. He is a designer, animator, and editor.

Eyebeam CV
2005FExhibiting Artist
SExhibiting Artist
 
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Airplanes, elephants, and plankton—three beautiful “machines.” Weights + Measures compares proverbial apples and oranges, in order to probe a system of relative values. Take any two of the three creatures in the system: in water, airplanes sink while elephants swim. Elephants and airplanes both release methane, and both have been instruments of transport and war. Airplanes produce carbon dioxide (CO2), while plankton consumes it. As the largest land mammal, elephants are at the top of the terrestrial food chain, and  microscopic plankton is at the bottom; yet without phytoplankton, the oceans would starve. Each ‘machine’ brings into focus several facets of a complex ecosystem, which includes the economics of short-term imperatives and long-view evolutionary time; the microscopic and the monumental; and human interventions of biological technology.

 

Project Created: 
11/2007
 
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The Friend Feeders is an animated diptych, and part of a suite of projects for the UK entitled Friends + Enemies. Larger-than-life, each panel depicts a person who appears to be supporting a host of animals: the man on the left supports native species in Northern England; the woman on the right, an ethnic version of Mother Nature, is fodder for invasive species. The animation cycles through four seasons in Northern England, including summer and nocturnal visitors and year-round denizens. The work makes our favoritism literal, giving our own bodies up as food to support the species in question.

Project Created: 
10/2009
 
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Friction Sticky Rough (2003) pairs video monitors displaying computer generated three-dimensional forms with musical structures based on the interaction of sound particles. The resulting installation creates parallels between a type of sound composition called “nonstandard synthesis” and scientific principles that analyze molecular particle interaction in terms of the attributes known as “friction,” “stickiness” and “roughness.”

Project Created: 
06/2003
 
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