theory

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Cyclograph of activity in Mary Mattingly's Flock House

The Rhythmanalysis Lab is concerned with the observation, representation, and interpretation of rhythms in everyday life. Inspired by the work of Henri Lefebvre, it is a framework for projects, workshops, and investigations at the intersection of urban research, sound, and data science.


Will the (future) rhythmanalyst ... set up and direct a lab where one compares documents: graphs, frequencies and various curves? ... Just as he borrows and receives from his whole body and all his senses, so he receives data from all the sciences: psychology, sociology, ethnology, biology; and even physics and mathematics ... He will come to 'listen' to a house, a street, a town, as an audience listens to a symphony.

- Henri Lefebvre, "The Rhythmanalyst: A Previsionary Portrait" in Rhythmanalysis: Space, Time and Everyday life. New York City: Continuum, 2004. Pg. 22.

Project Created: 
April 2012
 

Introductory Preface and Postface, or Open Bracketing of the W/Hole

[This is my introductory postface or preface to my forthcoming WVU book;
it's a fairly good explanation of my essay-work I think. Offered with
permission.]

The process used to produce this book has been one of continuous
negotiation over pieces, which are broken remnants of a text that might
go on indefinitely, if I did. I would say this about the individual
sections -

1 that each begins, for me, from ground zero, both in the sense of
catastrophe, and without regard to presuppositions; in other words, each
sketches out a terrain which, phenomenologically, is close to the
scratching-out of inscription against the flesh and abjection of the body.

 
People: Alan Sondheim
Research: Education
Tags: theory
Police protect people from books

Police protect people from books

By Sarah Amsler Lecturer in Sociology at Aston University (Birmingham, UK) via the Huffington Post

 
Start Date: 
18 Jun 2009
Hours: 
6:30-8:00
Cost: 
Free
Venue: 
The Change You Want To See Gallery - 84 Havemeyer Street, Brooklyn
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Partner Organizations: 
The Change You Want to See
Not An Alternative

Upgrade! NY
June 18, 2009

As an introduction to this season’s theme for Upgrade! New York, Clay Shirky discussed the concepts of forking and failure in the open source process, and its value to the context of activism and the creative process.

 
People: Clay Shirky
Research: Open Culture
Tags: activism, failure, forking, open source, social media, theory, Upgrade!
Partner Organizations: The Change You Want to See
Book Details
Format: 
Paperback, 472 pages
Publication Date: 
October 2001
ISBN: 
9780262611725
Category: 
Theory/Criticism
In Stock: 
yes
Order: 
bookstore@eyebeam.org

This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.

 

Originally written in April 2007. Minor edits: March 2010.

Preface

In the past 50 years the digital user-interface has become a major field of cultural production, since the innovations of Douglas Engelbart in the sixties (mouse/keyboard/video-screen) through the personal computer revolution in the eighties to the rise of the World Wide Web in the nineties and the wider trends for social web applications since the turn of the century. Producers of hardware and software systems have been attempting to develop interfaces that will direct the users to produce the interaction desired by the system they represent.

 
Book Details
Format: 
Paperback, 168 pages
Publication Date: 
Fall 2009
ISBN: 
9780920974476
Category: 
Instructional
In Stock: 
yes
Order: 
bookstore@eyebeam.org

Recipes for an Encounter functions as a literary extension to the 2008 group exhibition "Kits for an Encounter" at Vancouver's Western Front, which consisted of work that actively engages the viewer by providing the necessary components for instigating or troubling the notion of an encounter. This collection of texts, diagrams, and illustrations provides further "how-to" instruction for relational projects in the manner of a recipe book.

 

As an introduction to our Upgrade New York year theme we are excited to announce this month’s speaker, Clay Shirky. Clay will discuss the concepts of fork and failure in the open source process and will open them to discussion in the context of activism and the creative process.

Clay Shirky

Clay Shirky

 
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