"Once you get into the flow of things, 
you're always haunted by the way that things could have turned out. 
This outcome, that conclusion. You get my drift. 
The uncertainty is what holds the story together, 
and that's what I'm going to talk about."

Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of "stealing" images and forms from other makers. Among the diverse, often contestatory strategies included under the heading "appropriation" are the readymade, détournement, pastiche, rephotography, recombination, simulation and parody.

Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment.