Forty-eight to Sixteen documents my daily commute from Brooklyn to midtown Manhattan with sensors for my heartrate, breathing, and the cadence of my pedaling, along with chest-mounted video. Cellist Topu Lyo interprets my experience via a composition I derived from the sources that is precisely timed with the video. I am interested in 'performing' data and my and Topu's divergent but equally physical relationship to the information. Additionally, the physiological basis of empathy has implications for recent trends in media culture toward first-person viewpoints and the integration of biometrics into documentary. (Named after the gear ratio of my bike.) 

http://brianhouse.net/works/forty_eight_to_sixteen/

S*OIL is a human-powered interactive installation focusing on the industrialization of agriculture, biofuels and topsoil erosion. Mechanical and electronic systems are combined with living systems using experimental perennial food crops, video, and an electronically controlled irrigation system.  A mechanism in the likeness of a railway handcar that uses bicycle parts as a chain drive was built as the central object of interaction in the installation. These mechanisms were chosen for their historical and nostalgic references, linking industrial and natural processes while contrasting them with human consumption and expenditure. Participants operate the handcar to activate the installation by generating the electricity needed to power the pump and irrigation system, and videos.