Dunja Zupančič graduated from the Academy of Fine Arts in Ljubljana in 1987, with a thesis on Eisenstein and the Russian avant-garde. During the '80s, using processes involving the montage of abstract textures and the construction of composites, she produced pictures of monumental size. During the '90s, using the engineering of pneumatic and hydraulic elements, she constructed mechatronic abstracts and art satellites (umbots). On December 15, 1999, she visualized and materialized Biomechanics Noordung, the first complete theatrical production performed in conditions of zero-gravity. Since 2000, she has devoted herself to substitutes of corporeality, which she translates into amorphous structures with the help of digital tools.