3-D graphic of Morehshin Allahyari's work
Eyebeam Center for the Future of Journalism graphic in lime green.
Eyebeam is a platform for artists to engage society’s relationship with technology.
  • Moving video of a dancer, captured on Motion Capture, and transformed in an extended reality interface. First the dancer is multiplied, then he moves into a powerful, cascading light force.

    Oct. 23

    Black Movement in Digital Spaces

    This past year, artist-in-residence LaJuné McMillian has been developing The Black Movement Project, an online database of motion capture data from Black performers and Black character base models. Throughout this process, a series of questions around the ethics of digitizing Black movement have been raised.

  • The image of the performance- photo credit Zack Filkoff- caption: Yo-Yo Lin performs ‘the walls of my room are curved’, an audiovisual performance involving live-mixing projections of recorded movement and a musical score comprised of the sounds of the artist’s bones and joints. Colin Kapaernick animation figure as rendered by Movers and Shakers that would “replace” a monument a user is looking at with this alternative image as well as an accompanying story. Shannon’s hand holding a postcard that features a risographed photo of Shannon’s hand holding a postcard that says “Artists for Alt-Text. An avatar of Nala Duma moves in a 3D environment created by LaJuné McMillian for The Black Movement Project 

    Oct. 30

    Eyebeam Resident Showcase

    As the 2019 Residency comes to a close, join us at Eyebeam to celebrate the evolution of each artist’s vastly different, brilliantly inventive, and impact-driven projects. You won’t want to miss this special evening, and the rare opportunity to catch all of our residents in one place at the Eyebeam HQ!

  • The Latest

  • Computer hardware with screen that says GRID.

    #AskTheExpert | Time-based Media Conservation

    Our new initiative #AskTheExpert invites the Eyebeam community to ask an expert questions pertaining to their field. First up: Ben Fino-Radin on time-based media conservation.

  • Learnings from the Alumni Hive Mind | Artist Fees

    The debate over equitable fees is certainly not a new one. How does one really begin the work of putting a monetary equivalent to art labor?


    • Featured Sponsors

    AB Bernstein NYCulture Capital One Andy Warhol Foundation The Hyde and Watson Foundation Jerome Foundation MacArthur Foundation National Endowment for the Arts NYSCA Open Society Foundations Atlantic Foundation Capital One Surdna Foundation