Robert Ransick is an artist, designer and educator having shown work at Eyebeam, Exit Art, Storefront for Art and Architecture, The New Museum, the Palazzo delle Esposizioni in Rome, Italy, and in far-flung places such as the border of the United States and Mexico, old school classrooms and public plazas. He has received funding from Franklin Furnace, the Mellon Foundation, the Boomerang Fund for Artists and the National Performance Network/Visual Artists Network. He has collaborated with Creative Time, the Center for Artistic Activism, the Aperture Foundation, and Blind Spot. Alongside his work as an artist, he has held the position of director at both the computing and photography departments at The New School for Social Research in New York. He is currently the Director of the Art and Entrepreneurship program at Bennington College’s Elizabeth Coleman Center for the Advancement of Public Action (CAPA). He holds a BFA in Photography, with honors, from the School of Visual Arts, an MA in Media Studies from the New School for Social Research and an MBA in Sustainability from Bard College.
Kathleen O’Grady is a civic volunteer, philanthropist and art collector.
A long serving board member at Playwrights Horizons, Kathleen served as the Chair of the Board for the New York Foundation for the Arts and the Aldrich Contemporary Art Museum. At the Aldrich Museum, she chaired the capital campaign for the museum expansion and renovation. She is also a member of the Drawing Committee at the Whitney Museum of American Art.
From 1999 to 2001, she and her late husband, Tom O’Grady, served as Co-Chairs of the St. Martin’s University library campaign. Ms. O’Grady is also a member of the Board of Trustees.
Zicarelli’s primary work has been in the development of the Max visual programming environment used by musicians, artists, and inventors. In the late 1990s he founded Cycling ’74 to support the development and distribution of Max. The company now employs around 30 people in seven different countries, all of whom work remotely. For Zicarelli and his co-workers, Cycling ’74 is both a software company and a vehicle for exploring the interrelated challenges of distributed work, individual development, and cultural impact. Zicarelli has developed software at IRCAM, Gibson Guitar, and AT&T and has been a visiting faculty member at Bennington College and Northwestern University. BA, Bennington College; PhD, Stanford University. He returned to Bennington as a visiting faculty member for Fall 2019.
Kaizar Campwala, the Entrepreneur-in-Residence at Al Jazeera Digital, has helped launch and build several digital media ventures. Prior to launching Jetty, a new audio brand for Al Jazeera, he co-founded CALmatters, a statehouse reporting organization in Sacramento, and led the business development and partnerships teams at Stitcher, the leading independent mobile podcast app. Kaizar is currently a board member at the San Francisco Public Press, and a mentor at the media accelerator Matter. He has an A.B. from Brown University, and an MBA from UCLA.
With a background in data analysis, product development, and providing marketing guidance to nonprofits, Ching is passionate about leveraging her expertise to help non-profit initiatives optimize impact through data and scale impact using tech. Ching is currently employed as a Product Manager in a AI/ML Audio Research Lab at Spotify to create research-driven products. Outside of her day job, Ching enjoys being a dog-mom to her jindo/shiba pup and practicing the art of Ikebana flower design.
Jordan Harris is an experienced operating executive and entrepreneur. He is the COO of Glitch, the friendly community where millions of creators collaborate on making and discovering apps, bots, art, and anything else they can imagine. Harris is an advisor to startups and enterprise companies and a life coach at the Inspirica Women and Family Shelter. As a founder and operating executive, Harris has been recognized by many industry leading publications, such as Bloomberg, Wired, Fortune, Ad Age and Fast Companies’ list of Innovators. Harris is a graduate of The George Washington University and attended The Leadership and Change Management Program at the Harvard Business School.
Powell MacDougall founded p|m Gallery in 2004 to support bringing work by emerging and mid-career artists to the international arena through solid programming, exhibition exchanges, an annual curatorial residency programme and participation in international art fairs. In its first year, the gallery was invited to participate in New Territories at ARCO Madrid – a curated selection of galleries from Canada organized by David Liss, Director of the Museum of Contemporary Canadian Art. Prior to establishing p|m Gallery, Powell gained extensive experience in museums and the commercial art world, where she honed her ability to develop Canadian artists within the international scene, and vice versa.
Kamal Sinclair, is making the world more beautiful as the Executive Director of the Guild of Future Architects, supporting independent artists as a Senior Consultant for Sundance Institute’s Future of Culture Initiative, and makes art through a family creative practice at Sinclair Futures. Previously, she served as the Director of Sundance Institute’s New Frontier Labs Program, which supports artists working at the convergence of film, art, media and technology; and as an artist and producer on Question Bridge: Black Males.
Laura Raicovich is dedicated to art and artistic production that relies on complexity, poetics, and care to create a more engaged and equitable civic realm. She is currently working on a book about museums, cultural institutions, and the myth of neutrality (Verso, 2020), and is the recipient of both the Rockefeller Foundation Bellagio Fellowship and the inaugural Emily H. Tremaine Journalism Fellowship for Curators at Hyperallergic.
Until early 2018, she served as President and Executive Director of the Queens Museum where she oversaw an inviting and vital commons for art, ideas, and engagement. That same year, she co-curated Mel Chin: All Over the Place (with Manon Slome and No Longer Empty), the first major presentation in New York City of artist Mel Chin in more than 20 years, which occupied the entire Queens Museum and multiple public sites in the city.
Ramsey Nasser is a computer scientist, game designer, and educator based in Brooklyn. He researches programming languages by building tools that make computation more expressive and projects that question the basic assumptions we make about code itself. His games playfully push people out of their comfort zones, and are often built using experimental tools of his design. Ramsey is a former Eyebeam fellow and a professor at schools around New York.
John Dimatos is the Senior Director of Design and Technology Communities at Kickstarter. He is also a co-founder and senior advisor to Water Canary, a social venture developing a fast, networked, water‐testing device that radically reduces the amount of time, expense, and skill required to test water for pathogens. He is also adjunct faculty at the Interactive Telecommunications Program of NYU, a “laboratory for the recently possible” and home to one of the most amazing communities of makers and thinkers in NYC.
Matt is a writer, technologist and communications leader working in Brooklyn, with roots in the technology, art and electronic music communities in the Pacific Northwest. He spent 15 years in various engineering and communications roles at Microsoft, most recently on the company’s strategic prototyping team.